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Lu Xun, as a critical writer who "crossed his fingers to the thousand husbands", made a sarcastic satire on the "human-eating" society in which Q was located. He described everyone as a terrible demon: Zhao Xiucai, fake foreign devils, Wu Ma, which is not indirectly or directly devouring Ah Q's soul? What I felt after reading was the infinite coldness and murmur Marlboro Red. In the film, there is still a touch of tenderness, like a ray of sunlight, transmitted through the era of darkness, shining on a pure land. The biggest change in characters is the old man who controls the Tugu Temple. In the novel, the author once said, "The old man in Guanci was also unexpectedly kind Carton Of Cigarettes." This is the sentence, which shows the old man's disdain and contempt for Ah Q. In the movie, the old man appeared in the image of a kind father. With a big white beard, he often persuaded Ah Q. He was worried about Ah Q and told him to return early when he went to the card room; he cared about Ah Q and paid the money for Ah Q after being driven out by the Zhao family. Only he was really sad for Ah Q's death. At the end, he seemed drunk and a human figure walked on the bridge. And Ah Q is only good to him, he tells the story of his theft with his heart. He revolutionized in his dreams and made the sentence when he moved the box: "You are old, rest." Because of such a humble old man, because of such a "relative" who loves him, Tuya It seems that the temple really feels like home. And just with such an image, I have more realized the pitiful and sadness of Ah Q, and even more "mourned his misfortune". The second changed figure is Wu Ma. The mother of Wu in the novel is a tongue-in-law who looks down on the image of Ah Q's market woman from the bottom of her heart. She was disgusted with Ah Q's shouting of "sleeping with you" and even hanged herself. At the end, he didn't miss the old feeling at all, watching the soldier who escorted Ah Q, blankly, without any fluctuation in his heart. Wu Ma is a kind and virtuous woman in the movie. She is gentle and considerate, and treats Ah Q as a friend. She helped Ah Q cook and gave Ah Q an oil lamp. At the last moment of Ah Q ��s life, she saw the helpless and sad face of who the prisoner was. She seemed to want to blame Ah Q ��s stupidity, but could not speak in sorrow, so she turned her face silently, as if Don't let Ah Q see the tears on her face. Such a Wu mother is no longer offensive. She has become a rare person who really cares about Ah Q. This makes me feel that there is still a little bit of tenderness in the world. At the end, the narrator in the movie said something like: "AQ hasn't cut off his offspring, and his offspring hasn't cut off yet." And it doesn't in the novel. I think it wants to remind us: maybe each of us is a grandson of Ah Q-maybe somewhere in our body Marlboro Lights, there are a few times when Ah Q's fine novels and movies are produced, a time covered by darkness One is the era of the renewal of Vientiane in New China, and the thinking reflected in each era is different. I prefer the film version of "The True Story of Ah Q," because I can feel the warmth and hope from it.
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